The art of mounting calligraphy and painting is a traditional art project in the fourth batch of representative projects of municipal intangible cultural heritage. The mounting and restoration techniques play a good role in protecting Chinese calligraphy and painting. A piece of calligraphy and painting requires different mounting forms, such as banners, pictures, hand scrolls, albums, etc., so the mounting process is also different, but the basic operation procedures are the same. Mounting a piece of calligraphy and painting from the beginning to the completion of the core, generally requires the main processes of supporting, pulling, inlaying, supporting, calendering, and putting on the pole. Mastering these processes is the most basic requirement for mounting personnel. As the saying goes, "three parts of painting, seven parts of mounting" sounds like an exaggeration. But from the actual situation, it also makes sense. Chinese paintings, especially ink-splashing freehand paintings, cannot be appreciated before they are mounted after they are finished. The black ink blocks look really not beautiful. Therefore, there is a need for the mounting industry to make famous paintings shine. Mounting calligraphy and painting is a special art with national traditions in my country. According to written records, the art of mounting paintings in my country has a history of at least 1,500 years. In the Song Dynasty, it had developed to a fairly high level. Later, due to the development of Chinese calligraphy and painting art, as well as the love and pursuit of art treasures by artists and collectors, and the research and exchange of skills by skilled craftsmen, the art of mounting paintings and calligraphy in my country has been further improved. After the Song and Yuan Dynasties, the skill of Suzhou mounting also entered its heyday. In Jiangnan, the cultural and economic influence left over from the Southern Song Dynasty gave Suzhou an advantage. After the establishment of the Ming Dynasty, many calligraphy and painting works were scattered among the people. They all flowed to the Suzhou area, a "land of fish and rice", and then formed a group of calligraphers, painters and collectors. Information source: Jiangsu Intangible Cultural Heritage Protection Center Information source: Jiangsu Intangible Cultural Heritage Protection Center