Intangible culture with Related Tags

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Beijing Inlay Technique

Beijing Meng inlay craft is a traditional craft in Dongcheng District, Beijing. Meng inlay is a traditional metal engraving craft that originated in ethnic minority areas such as Mongolians and Tibetans in China and has a history of more than 2,000 years. Meng inlay metal engraving has matured through the integration of ethnic cultures in the Yuan, Ming and Qing dynasties. It is a unique Beijing gold and silver ware that combines the metal crafts of Mongolians, Tibetans, Manchus, Uyghurs and other ethnic groups with the metal crafts of the Han people. Since the ninth year of Shunzhi in the Qing Dynasty (1652), Meng inlay metal engraving has flourished due to the large-scale construction of Lama temples in Beijing, Chengde and other places. Most of the works were used by royal nobles or religious rituals and sacrifices, becoming a royal craft. In the middle and late Qing Dynasty, Meng inlay metal engraving gradually spread to the people, and successively formed a copper production and sales area for Mongolian and Tibetan people in the Andingmen and Lama Temple areas in Beijing. Ronghe Copper Shop outside Andingmen in Beijing is the origin of contemporary Meng inlay. In 1892, Shi Rong, a copper engraving artist in Beijing, opened Ronghe Copper Shop, which specialized in making Buddhist statues, religious instruments and gold and silver ritual instruments from Mongolia and Tibet for temples. His craftsmanship was known as the best in Beijing, and he was good at Buddhist statues. Beijing Meng inlay craft is a combination and inheritance of Mongolian and Tibetan metal crafts and Han metal crafts. It combines the simplicity and generosity of Tibetan Buddhism with the exquisiteness and magnificence of royal products. It was once a royal inheritance craft in the Qing Dynasty and a common skill for Buddhist statues and religious instruments in temples.

Heritage with Related Tags

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Arab-Norman Palermo and the Cathedral Churches of Cefalú and Monreale

Located on the northern coast of Sicily, Arab-Norman Palermo includes a series of nine civil and religious buildings dating from the Norman Kingdom of Sicily (1130-1194): two palaces, three churches, a cathedral, a bridge and the cathedrals of Cefalù and Monreale. Collectively, they are an example of the socio-cultural fusion of Western, Islamic and Byzantine cultures on the island, which gave rise to new spatial, structural and decorative concepts. They also bear witness to the fruitful coexistence of peoples of different origins and religions (Muslim, Byzantine, Latin, Jewish, Lombard and French).

Stone Town of Zanzibar

Stone Town in Zanzibar is an example of a Swahili coastal trading town in East Africa. It has preserved its urban structure and townscape almost intact, with many fine buildings reflecting its unique culture, which has blended and homogenized different cultural elements from Africa, the Arab region, India and Europe for more than a thousand years.

Kulangsu, a Historic International Settlement

Gulangyu is a small island at the mouth of the Jiulong River, across from the city of Xiamen. With Xiamen opened as a port in 1843 and the establishment of an international concession in 1903, this island off the southern coast of the Chinese Empire became an important window for Sino-foreign exchanges overnight. Gulangyu is a prime example of the cultural fusion that resulted from these exchanges, which is still clearly visible in its urban structure. The architectural styles here are diverse, including traditional southern Fujian style, Western classical revival style, and balcony colonial style. The best example of this fusion of styles is a new architectural movement, the Xiamen Deco style, which is a synthesis of modernist style and art deco in the early 20th century.

Town of Luang Prabang

Luang Prabang is an outstanding example of the fusion of traditional Laotian architecture and urban structure with that built by European colonial authorities in the 19th and 20th centuries. Its unique, well-preserved townscape embodies a key stage in the fusion of these two very different cultural traditions.

Historic Centre of Salvador de Bahia

Salvador was the first capital of Brazil from 1549 to 1763 and witnessed a fusion of European, African and Amerindian cultures. From 1558, it was also the first slave market in the New World, where slaves came to work on the sugar plantations. The city has preserved many outstanding Renaissance buildings. A feature of the old town are the brightly colored houses, often decorated with elaborate stucco.

The Silk Roads: Zarafshan-Karakum Corridor

The Zarafshan-Karakum Corridor is the throat of the Silk Road in Central Asia, connecting other corridors from all directions. It is 866 kilometers long, with rugged mountains, fertile river valleys and uninhabited deserts along the way. It first extends from east to west along the Zarafshan River, then turns southwest and crosses the Karakum Desert along the ancient caravan route to the Merv Oasis. From the 2nd century BC to the 16th century AD, the corridor became the main channel for communication between the East and the West and the trade of large quantities of goods on the Silk Road. It witnessed human travel, settlement, conquest, and defeat, and thus developed into a melting pot of ethnicities, cultures, religions, and technologies.