During the 406 years of the Han Dynasty, according to historical records, the area of Xuzhou was "prosperous" and "grain was distributed widely". The nobles of the Han Dynasty lived a luxurious life and were buried lavishly after death. Han stone reliefs are decorative murals carved on tombs, ground ancestral halls and stone towers. As a unique funeral art, they have profound ideological significance. The themes of Han stone reliefs can be roughly divided into two categories: one is the real life of the world, depicting the way the tomb owner enjoyed himself before his death. Common pictures include traveling by car, gambling games, dance and music, archery competitions, etc. From them, we can see the ancient etiquette and rules and regulations that have long disappeared, just like the illustrations of ancient documents. The other is the world of gods and immortals in the sky, depicting the fairyland that the tomb owner prays to enter after his death. The mythological content is mostly taken from "Chu Ci" and "Shan Hai Jing". Common characters include Fuxi, Nuwa, Changxi, Dong Wanggong, Xi Wangmu, etc. The missions of Fuxi and Nuwa are equivalent to Adam and Eve in the Bible. In addition, the auspicious patterns are complicated and confusing, including the blue dragon, white tiger, red bird, black tortoise (four gods), as well as phoenix, black crane, and unicorn, all of which are lifelike, symbolizing "seeing will bring peace to the world". The ancient and interesting rice paper rubbings of Han Dynasty stone portraits have nourished the exhausted inspiration of many Chinese and foreign artists today, and have a very high collection value.