Occurrence of Attributes in Original Text

The text related to the cultural heritage 'Archaeological Site of Delphi' has mentioned 'The Sanctuary' in the following places:
Occurrence Sentence Text Source
In 1893 the French Archaeological School removed vast quantities of soil from numerous landslides to reveal both the major buildings and structures of the sanctuary of Apollo and of Athena Pronoia along with thousands of objects, inscriptions and sculptures.
Located in front of the Temple of Apollo, the main altar of the sanctuary was paid for and built by the people of Chios.
[22] The theatre was abandoned when the sanctuary declined in Late Antiquity.
The tholos at the sanctuary of Athena Pronoia (xe1xbcx88xcexb8xcexb7xcexbdxe1xbexb6 xcexa0xcfx81xcfx8cxcexbdxcexbfxcexb9xcexb1, "Athena of forethought") is a circular building that was constructed between 380 and 360xc2xa0BC.
The statues commemorate their feat of pulling their mother's cart several miles to the Sanctuary of Hera in the absence of oxen.
One tale of the sanctuary's discovery states that a goatherd, who grazed his flocks on Parnassus, one day observed his goats playing with great agility upon nearing a chasm in the rock; the goatherd noticing this held his head over the chasm causing the fumes to go to his brain; throwing him into a strange trance.
In 83 BCE a Thracian tribe raided Delphi, burned the temple, plundered the sanctuary and stole the "unquenchable fire" from the altar.
[53] Excavations have revealed a large three-aisled basilica in the city, as well as traces of a church building in the sanctuary's gymnasium.
The culmination of the festival was a display of an image of the gods, usually hidden in the sanctuary, to worshippers.
The development of the sanctuary and oracle began in the 8th century BC, and their religious and political influence over the whole of Greece increased in the 6th century BC.
Criterion (ii): Delphi had an immense impact throughout the ancient world, as can be ascertained by the various offerings of kings, dynasts, city-states and historical figures, who deemed that sending a valuable gift to the sanctuary, would ensure the favour of the god.
The Sanctuary at Delphi, the object of great generosity and the crossroads of a wide variety of influences, was in turn imitated throughout the ancient world.
Even pillaging of the Sanctuary by the emperor Nero and by Constantine the Great, who transported spoils from it to Rome and Constantinople, added to the artistic influence of Delphi.
Within the property, only the archaeological museum has been built, which is indispensable for the protection of the findings and for the adequate understanding of the sanctuary and its offerings.